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El Cascanueces





En la noche del 22 de julio de 2015, en el Centreventos Cau Hansen, alumnos,
profesores e integrantes de la Escuela del Teatro Bolshoi en Brasil subieron al escenario
para inaugurar la 33ª edición del Festival de Danza de Joinville con el ballet El
Cascanueces. Bajo la dirección y versión coreográfica de Vladimir Vasiliev, la puesta en
escena reunió a unos 80 bailarines en dos actos —la fiesta navideña de la familia
Stahlbaum y el Reino de los Dulces— con escenografía proyectada y animaciones
inspiradas en Van Gogh, Monet y otros maestros de la pintura. La elección rendía
homenaje a los 15 años de la Escuela Bolshoi en Joinville, la única filial de la institución
fuera de Rusia.
Vladimir Vasiliev, coreógrafo y figurinista ruso, adaptó para la escuela el libreto clásico
de E.T.A. Hoffmann, basado en la versión de Vainonen. Las proyecciones
escenográficas, a cargo del VJ Leandro Mendes, se realizaron mediante mapeo digital,
acercando la escenografía a la estética de los Ballets Rusos de 1909 y reforzando la
intertextualidad entre la danza y las artes visuales. La banda sonora se mantuvo fiel a la
partitura original de Tchaikovsky, mientras el diseño de luces y escenografía ampliaba
el repertorio expresivo de los cuerpos en escena.
El vestuario utilizado en el segundo acto del ballet fue donado posteriormente por la
Escuela del Teatro Bolshoi en Brasil al acervo del Museo de la Danza de Joinville,
permitiendo al público acceder a piezas emblemáticas que marcaron momentos
significativos en la historia dancística de la ciudad.
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Photo Albun












Video Link
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Álbum de fotos













Enlace de vídeo
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Espetáculo O Quebra Nozes




Na noite de 22 de julho de 2015, no Centreventos Cau Hansen, alunos, professores e
integrantes da Escola do Teatro Bolshoi no Brasil ocuparam o palco para abrir o 33º
Festival de Dança de Joinville com o balé O Quebra-Nozes. Sob direção e versão
coreográfica de Vladimir Vasiliev, a montagem reuniu cerca de 80 bailarinos, divididos
em dois atos — a festa natalina da família Stahlbaum e o Reino dos Doces — com
cenografia projetada e animações inspiradas em Van Gogh, Monet e outros mestres da
pintura. A escolha prestava homenagem aos 15 anos da Escola Bolshoi em Joinville, a
única filial da instituição fora da Rússia.
Vladimir Vasiliev, coreógrafo e figurinista russo, adaptou para a escola o libreto clássico
de E.T.A. Hoffmann, baseado na versão de Vainonen. As projeções cenográficas,
assinadas pelo VJ Leandro Mendes, foram realizadas por meio de mapeamento digital,
aproximando a cenografia da estética dos Ballets Russes de 1909 e reforçando a
intertextualidade entre dança e artes visuais. A trilha sonora manteve-se fiel à partitura
original de Tchaikovsky, enquanto o design de luz e cenário expandia o repertório
expressivo dos corpos em cena.
O figurino utilizado no segundo ato do balé foi posteriormente doado pela Escola do
Teatro Bolshoi no Brasil ao acervo do Museu da Dança de Joinville, permitindo ao
público o acesso a peças emblemáticas que marcaram momentos significativos na
história da dança da cidade.
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The Nutcracker Show



On the night of July 22, 2015, at the Centreventos Cau Hansen, students, teachers, and
members of the Bolshoi Theater School in Brazil took the stage to open the 33rd
Joinville Dance Festival with the ballet The Nutcracker. Under the direction and
choreographic version of Vladimir Vasiliev, the production brought together
approximately 80 dancers in two acts — the Stahlbaum family’s Christmas party and
the Kingdom of Sweets — featuring projected scenery and animations inspired by Van
Gogh, Monet, and other masters of painting. The performance paid tribute to the 15th
anniversary of the Bolshoi School in Joinville, the institution’s only branch outside of
Russia.
Vladimir Vasiliev, Russian choreographer and costume designer, adapted E.T.A.
Hoffmann’s classic libretto based on Vainonen’s version for the school. The scenic
projections, created by VJ Leandro Mendes, were made through digital mapping,
bringing the visual style closer to that of the 1909 Ballets Russes and reinforcing the
interconnection between dance and visual arts. The musical score remained faithful to
Tchaikovsky’s original composition, while the lighting and set design expanded the
expressive vocabulary of the performers on stage.
The costume used in the ballet’s second act was later donated by the Bolshoi Theater
School in Brazil to the Dance Museum of Joinville’s collection, giving the public access
to iconic pieces that represent significant moments in the city’s dance history.
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Album de Fotos












Link Dos Vídeos
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